It came from the profounds of antiquity, which the author transferred into an entirely Mexican context. In this work, the author utilized the traits of menippea – a literary genre that presents a descent into the afterlife (Durix 80). General valuation: The novel is an artistic revelation in both Hispanic-language prose and world literature. At first, all these events are depicted, and then elaborated to a greater extent. The work’s structure: The order of events is split in this novel, and sometimes it is not easy to discern. They live in Comala – the Kingdom of the Dead (Rulfo 60) meanwhile, common issues of everyday routine are preserved within it. The characters in the novel do not at all descend into the underworld after death. They provide a complicated kaleidoscope of seemingly disparate texts that do not have an apparent beginning or end. Then, in the afterlife, they split into detached and unconnected events, dialogues, and monologues. Plots’ description: There are two main storylines in the novel that congregate and break up in reality.
The second plotline is dedicated to the life and death of the mentioned father – Pedro Paramo – his omnipotence and powerlessness, as well as love, detestation, and desolation.
He searches for his father and unintentionally turns to be in Komala’s afterlife, as well as get acquainted with ones who have identical hopes and suffering. Main plot: Among the primary characters of the work is Juan Preciado. Topics: Hopes and dreams as a foundation for success desperation that comes if hopes and dreams are not brought into life.
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