” Neither Gide nor Édouard write the pure novel, yet if they can create an image of that novel in the reader’s mind, then perhaps the novel inside (or beyond) the novel becomes valuable and authentic, even if it is a counterfeit. Therefore, he concludes, value is wholly a matter of perception and has nothing to do with reality. observes that if a counterfeit coin is thought to be authentic, it is accepted as valuable if it is found to be counterfeit, it is perceived as worthless. In The Merriam-Webster Encyclopedia of Literature, we read, “Edouard. Gide wrote the novel that Édouard describes, but it was an approximation, an imperfect version of “the pure novel” his character proposed, a counterfeit of an unwritten, fictional book. The novel Édouard imagined, however, is perfect because it is never written down. Édouard is uncomfortable because the “real facts” do not exactly coincide with his record of the events he is forced to recognize that he has necessarily falsified events, producing a counterfeit of the truth, which is why the narrator criticizes Édouard for imagining a pure, realistic novel. and by the place reserved in the finished novel for ‘real facts’ (news items taken from press reports - the discovery of the counterfeit coin, Boris’s suicide), which Édouard criticizes, confessing that they make him feel ‘uncomfortable,'” (33) writes Lucian Dällenbach in The Mirror in the Text (which gave me the title for this series). Yet if Édouard is a stand-in for the narrator, an alter ego of the author, we could say that we are reading Édouard’s book when we read Gide’s novel, except that the author distances himself from the character in several ways: “by the use of a forename that distinguishes the vicarious novelist from his creator by Gide’s refusal to delegate to his counterpart all of the conduct of the narration by the decisive way the author criticizes as Utopian the quest for a reconciliation between realism and the ‘pure novel’. Nevertheless, The Counterfeiters is not a book within a book as many critics claim because the reader is never allowed to read Édouard’s novel, only his notes. The fictional Édouard writes at length in his journal about a book he is planning to write, a book called The Counterfeiters, which shares not only the same title as Gide’s novel, but also its subject and themes. The counterfeiters that matter most are the writers: the character Édouard, the narrator who speaks for Gide, and even Gide himself.
Makers of false coins are not the counterfeiters that most concern André Gide in his novel The Counterfeiters ( Les Faux-Monnayeurs).
0 kommentar(er)
